Tag Archives: liturgy

Liturgical Animals (3): Stories and Ritual

Posted on by
Reply

eucharist1Ever since stories started to be told it has been known that we resonate with them and with the actions of the characters at a very deep level. Aristotle famously called it catharsis where our own emotions are purified when we identify with the emotions of a character on stage. Girard’s theory of mimetic desire gives us increased awareness of the phenomenon. It is no accident that Girard discovered that the best novelists and playwrights had discovered it, not least Sophocles who had inspired Aristotle’s concept of catharsis. (See Human See, Human Want.)

The discovery of mirror neurons adds further scientific and anthropological understanding to the way we resonate with stories. (See Mirroring Desires.) Realizing that our mirror neurons are activated by the intentions of others, we now know that the actions of actors on stage or on the screen also activate our mirror neurons. This is why we are so affected by what they do and most particularly what they desire. By identifying with a thief who is the protagonist of a story, we easily find ourselves desiring the thief’s success although in real life we would normally not desire that at all. But then again, perhaps the story has revealed a hidden desire to steal successfully. Or, perhaps a desire that wasn’t there has been created by the thieving action. Or a combination of both.

This is where the debate about whether or not violence or any reprehensible actions should be allowed in movies or on the stage of even in books. Does the violence observed or read about make one more violent or does it cause a catharsis, thus acting as a safety valve that prevents violence in real life? As far as I can tell, the answer goes both ways. After the Columbine school shooting, a video game was blamed for motivating the killers to go on a shooting spree, but this accusation overlooks the huge number of boys in the same age bracket who did no such thing. What we are left with, I think, is the need for us to take some responsibility for what we watch and read and more important, for how we react to them. For some, watching cops and robbers programs are mild entertainment. For others, it is more a thrill of surrogate righteous violence. If it is the latter, is this surrogate thrill enough or does it lead to inflicting violence against the “bad” guys in real life and feeling righteous about it? Or, do we act these feelings of righteous indignation without knowing what we are doing? Which puts us in the position of those who crucified Jesus.

Which brings us back to liturgy. It is worth noting that Greek plays were performed as parts of religious festivals, making the expulsion of Oedipus, for example, a liturgical event. To this day, plays and classical concerts often have a quasi-liturgical atmosphere with dimmed houselights and norms for audience decorum similar to what is usually expected in church. The more raucous and extroverted actions at rock concerts and Pentecostal services are liturgical in their own right with different liturgical norms. The thing is, liturgies and plays and concerts all stimulate the same mirror neurons in similar ways.

In Christian worship, the liturgical action is bound up with stories about Israel and most particularly, the story of Jesus. The stories are drawn out in the readings from scripture and the central story of Jesus, the Paschal Mystery, is compressed in the Eucharist where the story is fed to us literally in the bread and wine. Listening to the Word activates the mirror neurons, hopefully making us identify with the heroes and heroines of faith and most particularly with Jesus. Even from ancient times, certain people have been held up as good examples to imitate. As for Jesus settling a good example, since he compared himself to a burglar at one point, we can feel naughty and subversive in following his example and yet also feel righteous about it (Mt. 24;43). The pitfall is that we might identify with the owner of the house, and so try to keep Jesus out so that our lives aren’t subverted and turned upside down. This is just one example of how a story can twist us around in several directions, leaving us to wonder which end is up.

In general, plays and concerts are not repetitious the way the Eucharist is, which tells the same old story time after time to make it sink more deeply into us each time. It should be noted, though, that many people like to hear the same symphonies time after time and some people have favorite movies they see more times than they can count. Children have a ritual sense with their favorite bedtime stories that they want to hear night after night at the same time each night. In the Paschal Mystery, there is disclosure of the deepest truths about the way we humans live but also how we ought to live and could live by absorbing the character of Jesus. This is a story that never ends.

Liturgical Animals (2)

Posted on by
Reply

eucharist1In his first letter to the Corinthians, St. Paul brings us to the heart of Christian worship that Jesus inspired at what we call his Last Supper. His followers were doing what he told them to do: Do this in memory of me. While both the myths and rituals obscured the sacrificial stories on which they were based, the Eucharist clearly tells the story on which it is based:  the betrayal of Jesus, his subsequent crucifixion, and his rising from the dead.  This earliest account of the Eucharist, predating all of the Gospels, enshrines the Words of Institution that are repeated in celebrations of the Eucharist two thousand years later. The Eucharist teaches us through its story but it also teaches us at a deeper, more substantial level through actually feeding us with the Word of God so tangibly that we chew on it and swallow it. Celebrating the Eucharist places our desires into Jesus’ Desire for us to gather with him and the other Persons of the Trinity.

The meal is probably the oldest of rituals performed by liturgical animals. Eating is the first activity that immerses us into mimetic desire as we imitate the desires of our caregivers to desire food and, by the time we are old enough to be conscious of what we are eating, to desire certain foods because those around us desire them. However, as much as meals have to do with providing necessary bodily nourishment, they are always more than that. An intrinsic part of learning to eat is learning how to eat in the company of others. It may be culturally arbitrary whether we use eating utensils and plates or large leaves and fingers, but in every culture I have ever heard of, there is always a way of eating that is learned. The shared desire for food extends to a shared desire for the way of eating it. By rooting liturgy in a meal, the Eucharist roots worship in the sensuous act of eating; of tasting food and drink on our tongues.

In this same letter, Paul brings up the manner of table manners in regards to the Eucharist. He berates the richer members of the congregation for their insensitive treatment of those who are more economically challenged. To flaunt their superior food in front of those who cannot afford it without offering them anything was a serious violation of everything the Eucharist stands for. This desire shared by one group in the congregation to demonstrate their superiority over others, to put them in their places, breaks the unity the feast is supposed to create and strengthen. Paul makes it clear that there is much more to worship than saying or singing words together while celebrating a sacrifice. If people are not treated well, worship is diminished if not rendered nonexistent.

John’s version of the feeding in the wilderness brings all of these themes together. The event is explicitly brought into the context of Yahweh’s feeding the Jews in the wilderness after their escape from Egypt. Raymond Brown pointed out that rabbinic teaching interpreted the manna as symbolizing the Torah, thus uniting food and teaching, something the Eucharist also does. While Matthew and Mark recount two feedings in the wilderness, one for the Jews and one for the Gentiles, John has one story of feeding for all people. Jesus’ blessing of the bread and fishes has ritual overtones although the feeding is taking place in the open air, away from temples, synagogues and churches. The social unity that Paul enjoins is embodied in John’s vision where it gains a deep universality. Unfortunately, the people then unite in trying to make Jesus king, which destroys the social vision as surely as the Corinthians did.

The Eucharist teaches us that we don’t outgrow our earliest lessons: table manners. Without them, we don’t grow up.

Liturgical Animals (1)

Posted on by
1

monksinChoir1The reality of mimetic desire guarantees that we will engage in liturgical activity. What kind of liturgical activity and for what end leads to many possibilities. However, since we instinctively react to the desires and intentions of others, we also instinctively move and sing with each other and act together. Since we are mimetic animals, we are also liturgical animals. Much liturgy takes place in churches and temples but liturgy can be done anywhere at any time and it is indeed done all over the place. René Girard’s theory of scapegoating violence places the origins of ritual and liturgy in the spontaneous mob violence against a victim that “solves” a massive social crisis. At first thought, one would think there is nothing liturgical about collective violence; it just happens. But actually collective violence is a very predictable phenomenon that consistently works in a certain way once it gets started. We all know that once the persecutory ball gets rolling it is almost impossible to stop until blood has been spilled. The relatively few instances where the persecutory wave is stopped short of bloodshed also follow a predictable pattern. In essence, the mimetic contagion of a mob has to be redirected into another direction, one less destructive. This is what Jesus did when the Jewish elders were gathered around the woman caught in adultery. This is what Christians do to this day when celebrating the Holy Eucharist. Although I think it likely that sacrificial rituals have their origins in collective violence as Girard suggests, I think that ritual in itself is rooted more deeply in human nature. Since we humans are imitative creatures, we would instinctively coordinate our bodily movements with those of others. This sort of mirroring is instinctive to mothers especially in their interactions with their babies. It is this coordination of movement that would unify a family and then a clan and then a tribe. These coordinated movements would naturally turn into communal dancing and singing. Such coordinated action would naturally move into reenactments of primal collective violence once that occurred, but there is nothing in this instinct for coordinated movement that requires that it move in that direction. This is to say that collective violence and its continuations in sacrifice and institutionalized violence are not of the essence of humanity. There is nothing necessary about it; it’s just something that happens most of the time. What is necessary in the sense of being of the essence of humanity is coordinated movement. Our built-in mimetic desire guarantees that it will happen. There are practical reasons for this trait, among them coordinating movements during hunting expeditions, the way soldiers do military drills to facilitate coordination in battle, and the way football teams synchronize their actions, not to speak of the rituals performed by their fans. Singing together over common work such as gathering fruits and preparing meals might not be as necessary for success as the coordinated movement of hunting parties, but perhaps are as necessary at another level. Maybe nobody dies of boredom but we often feel that we can, and maybe we do in the sense that lack of interest in life isn’t conducive to living a long life. It is singing and dancing together and moving together in other ways that would have given our earliest ancestors an interest in living and it is these activities that spark our interest in life today. Many people today may think they are dismissive of liturgy because they think of stuffy church services or masonic rituals. But the ways we greet people, especially when introducing people to strangers or meeting them, are little rituals that we take so much for granted that we don’t think of them as rituals. When I was young, many people who never darkened the door of a church linked arms in the streets and sang the hymn “We Shall Overcome.” All this is to say that humans are liturgical animals. Gathering with others always has some liturgical overtones in the sense of repeating actions we are used to doing together. Drinking parties tend to follow the same patterns for those groups in the habit of gathering for that purpose. Given this human trait to gather through ritual, it is inevitable that any who wish to gather with others in memory of Jesus would gather liturgically. Liturgy is discussed at length in my book Tools for Peace.

Proceed to Liturgical Animals (2)