Tag Archives: forgiveness

How Are We Saved?

Posted on by
1

yellowTulips1The New Testament and two thousand years of Christian preaching has consistently proclaimed that the death and resurrection of Jesus Christ has opened the way of salvation for all humanity. Precisely how this mysterious, earthshaking event has done that   has raised more questions than answers. It is understandable that the focus would tend to be on the death of Jesus since the event is so dramatic and creates intense emotional effects in Jesus’ followers. However, understandings of the atonement of Jesus through this route have raised long-standing problems that cry out for a fresh approach. The growing realization that the killing of Jesus was just plain wrong on the part of many Christians, and not just those influenced by the thought of René Girard,  opens a way for a re-thinking of atonement theology that can support a deep spirituality grounded in God’s unconditional love for all people. As article I wrote for the Abbey Letter Saved By the Life of Jesus contributes to this re-thinking that actually reclaims the Gospel for us. It is included in the collection of articles in Come Let Us Adore. You can read it here.

Rising to the Life of Christ

Posted on by
2

crosswButterfliesWhen St. Paul says in Romans that we are baptized into Jesus’ death, what kind of death are we baptized into? An aged person drifting off while asleep? A ritual death with no consequences? No, we are baptized into the death of Jesus. This particular death, the one we are baptized into, is a judicial death resulting from collective violence. This is the shameful death of an alleged insurrectionist at the hands of an Empire. This death was caused by the meltdown of rivalry in the society of first century Jerusalem, exacerbated by the betrayal and cowardice of Jesus’ closest followers.

Once we know what death we are baptized into, we know what life we are raised to. In his risen life, Jesus showed no resentment or vengeance to those who had gathered to put him to death or had dispersed out of cowardice.  Moreover, Jesus was not entangled in any of the rivalrous feuds that are a way of life for most humans. Imagine living without all the entanglements and resentments swirling around and inside of us. Hard to do, isn’t it? That is how radically different the risen life is from the life we live now.

If our “old self” is crucified with Jesus, then we have, like Jesus, died in the place of the victim. That means we have died to our tendency to fuel resentments and resolve these resentments through gathering against the victim, as Paul himself repented of having held the clothes of the men who stoned Stephen and openly approving of what they did.

None of this means that repenting of personal sins and faults doesn’t matter and that becoming free of them is part of the resurrected life. However, Christian teaching has a strong tendency to stress personal renewal to such an extent that horrifyingly sick participation in collective persecution goes unnoticed. That hundreds of thousands of Christians could lynch thousands of black people shows us now, now that the lynching era is over, how easily this sort of group contagion can take over in what is often called an “enlightened” and “civilized” era.

Rather than congratulating ourselves on giving up lynching after roughly a hundred years of the sport, I suggest we take careful note of the growing polarization in our country over social and religious issues. Honest disagreement is not a problem; it’s a good thing, something that keeps us honest. But polarization tends to be conflict for the sake of conflict so that conflict feeds itself and it feeds each one of us. Never mind that polarized conflict is as nourishing to humans as sawdust and glue. What is really dangerous about this polarization is that it easily collapses into collective violence as a way of resolving the tensions.

If we wish to be serious about living the risen life with Christ, we must be baptized by the love and forgiveness of the risen Christ and allow him to gently but firmly remove all the resentments we feed on so as to feed on body and blood of the Lamb of God who reaches out to everybody with vulnerable love.

Can you imagine such a thing? Can you be overwhelmed by such a thing in baptism?

Selling Postcards of the Cross

Posted on by
1

crucifix1“They’re selling postcards of the hanging
They’re painting the passports brown.”

White boys like me mostly didn’t know what Bob Dylan was singing about when “Desolation Row” first came out on “Highway 61 Revisited.” James Cone’s book The Cross and the Lynching Tree tells us it was about lynching. Lynching was a public spectacle where people took pictures and made postcards out of them.

Cone goes on to argue that the lynching tree was a series of grisly re-enactments of the crucifixion of Jesus. He also demonstrates on how very difficult it has been and still is for Americans to see this truth. Reinhold Niebuhr, arguably the greatest American theologian was, in spite of his social concerns, blind to this reality. Even black people have had trouble seeing this connection, though Cone shows how some black women, especially Ida B. Wells articulated it powerfully. He contrasts Niebuhr and all white liberals with Martin Luther King, Jr. who put his life on the line.

The dynamics of lynching as analyzed by Cone provide powerful confirmation of the theory of collective violence of René Girard. (See my article Violence and the Kingdom of God.) Girard argues that perpetrators instinctively fail to see what they are going. Cone shows us this truth in a powerful manner.

Dylan goes on to sing that “the circus is in town” and then catalogs Western Civilization turned topsy-turvy, suggesting that lynching does this, thanks to the “blind commissioner.”

Cone is right about whites’ blindness to this truth, but Dylan did write “The Ballad of Emmett Tell” in 1963, telling the story in stark terms, though without any Christian reference except to complains that the human race has fallen “down so god-awful low.” Then there is Mark Twain who wrote “The United States of Lyncherdom,” calling lynching for what it was and clearly discussing the human mimesis just as Girard was to do half a century later.

Cone’s book is written calmly, even gently. There is no mincing of words, yet the words are somehow full of forgiveness. The forgiveness in Cone’s words, the forgiveness proclaimed by Jesus, should be enough to undermine our trust in ourselves and our ability to see what we are doing. We must repent not only of lynching, but of our collective hatred of enemies today.

A Risen Life Full of Forgiveness and Love

Posted on by
2

crosswButterfliesHere is my favorite thought experiment: Imagine that everybody around you ganged up on you, leveled incredible accusations against you, and rained savage blows on your body. Your friends either joined in the persecution or slunk away, too afraid to defend you. Your attackers pressed on until they had put you to a most painful death. Imagine further that, miraculously, you found yourself alive three days later. Having already died, you could hardly die again. You have become invincible. What would you do to the people who had mistreated you? How would you approach your cowardly friends?

Perhaps this thought experiment can give us an inkling of how amazing it is that, when this very miracle happened to Jesus, he did not retaliate, but instead, invited everybody to a big whooping party that will never end. After rising from the dead, Jesus continued to do what he was doing before he was killed: gather God’s people in peace by peaceful means only. That is, after his Resurrection, Jesus practiced what he preached in the Sermon on the Mount: return evil with good, hatred with love. The fullness of Jesus ‘forgiving love can be as earth-shattering as an earthquake or as gentle as stepping through a wall.

If Jesus were dead and there was a body in the tomb for the women to anoint, chances are that Jesus’ disciples would either have remained in hiding or they would have reacted to the violent act of the crucifixion with violence. But in Luke the young men in white asked the women: “Why seek the living among the dead?” That is, God did not will the death of Jesus, God willed life for Jesus because that is what God wills for each one of us. As long as we stop at Jesus’ death, we also stop at the grief and anger and that leads to violence. If we move on to the life of Jesus, than there isn’t the same room for grief and anger because Jesus is alive and wants us to be alive in Him.

In short order, Peter passes on the same absence of revenge of Jesus’ persecutors and fullness of forgiving love for them when he tells the people in Jerusalem precisely what they had done, sticking to the bare facts and not adding irrelevant insults the way we usually do in such situations. When Peter’s listeners were “cut to the heart” and asked: “What should we do?” Peter extended the invitation that he and the disciples had received from the Risen Lord: “Repent and be baptized every one of you in the name of Jesus Christ so that your sins may be forgiven; and you will receive the gift of the Holy Spirit.” This is a far cry from the response we get from most followers of a slain leader. Peter had heard the cock crow, repented and accepted Christ’s forgiveness and love. Peter was a weak human being like the rest of us. If Peter is like us, we can be like him.

See also Two Ways of Gathering and Violence and the Kingdom of God.

What Humans Willed: the Passion Story

Posted on by
Reply

crucifix1At the abbey where I live, I preach at the Maundy Thursday liturgy and the Easter Vigil. I do not preach on Palm Sunday and Good Friday, the two liturgies where we chant the Passion. The Passion is long enough without added sermons and the Passion speaks for itself. That is, it speaks for itself as long as we don’t add things it does not say that undermine what the Passion does say.

To belabor what should be the obvious, the Passion Story tells us what human beings chose to do. Jesus chose to drive the money changers from the temple and teach the people there. The Jewish authorities chose to plot to have Jesus arrested and handed over to the Roman authorities. Judas chose to betray Jesus, thus facilitating the arrest and handing over. Pilate, to varying degrees in the four Gospels, vacillated but in the end chose to sentence Jesus to crucifixion. Meanwhile, the people who had cheered Jesus upon entering Jerusalem ended up crying for his crucifixion. The Roman centurions nailed Jesus to the cross where he died. The Passion narratives say nothing to suggest that anything that was done to Jesus, from the arrest to harassment and flogging to nailing him to the cross was in any way the will of God.

In all this, God does not do anything. Why do I bother to make a big point of this? The reason is that many Christians have suggested that God positively willed the sacrifice of Jesus for some cosmic purpose, usually because God was upset with wayward humans and was somehow incapable of forgiving humans unless somebody took the punishment for human sin. If Jesus, innocent of sin, should take the punishment, well and good. Well, not well and good. What kind of god demands punishment and doesn’t care who gets punished as long as somebody does? The Passion Story never says anything of the kind.

If God did not will Jesus’ violent death, what did God will? What was God’s plan? Jesus understood the heavenly Father’s plan to be that he Jesus knew that if he defeated Caiaphas and Pontius Pilate with force would only keep the world forever embroiled in retaliatory violence. The only way to avoid that was to gather people peacefully no matter the outcome, even if it meant death.

But Death, much as it was the plan of humans, was not God’s plan as a group of women found out early in the morning on the first day of the week.

See also Two Ways of Gathering

 

Crying out with Palm Branches in our Hands

Posted on by
Reply

AndrewPalmSunday1Jesus entered Jerusalem to the acclaim of crowds strewing branches before him and proclaiming him the king. A few days later, the same crowd gathered before Pilate to cry out for Jesus’ crucifixion. What happened?

Before answering this question, it is helpful to recall another crowd that went out into the desert to see John the Baptist. “What did you come out to see?” John asked them. “A reed blowing in the wind?” John suspects that people have come out in droves because people were coming out in droves. That is, it was the “in” thing to do. Fast forward a few months and we have a crowd at Herod’s palace supporting Salome’s request for John’s head on a dish. What did they come to see?

The post Ignominious Glory—Glorious Ignominy: a Doxology goes a long way in explaining this phenomenon. One can’t help but suspect that people are crying out because everybody else is crying out, no matter what the outcry is about. Advertising usually does not advertise the product but its alleged popularity. Political campaigns do the same thing. What would happen if people stopped to listen to what people were actually saying instead of crying out what they think everybody else is crying out?

It so happens that the Gospels do precisely this. The suggestion that the Gospels are Passion narratives with long introductions gives short shrift to what the Gospels are about. What these “long introductions” do is tell us at great length what Jesus actually said and what he taught. They also tell us what Jesus did before he was nailed to the cross, i.e. he healed people and cast out demons and he unilaterally forgave sins. These “long introductions” also tell us why the power brokers in Judea and Jerusalem wanted Jesus dead. By reading these “long introductions” to the Passion narrative, we are drawn away from crying out what everybody else is crying out and waving signs that only proclaim what the current fashion is believed to be. Instead, we are drawn into a very different social mimetic process, a process that builds up mutual respect between people, seeing people as they really are and as they really can become when they receive the unilateral forgiveness that Jesus gives them, a social process of not retaliating for wrongs done, a socially mimetic process of forgiving debts, of sharing what we can, of offering healing to others.

It is instructive that the Palm Sunday liturgy begins with everybody playing the part of the crowd welcoming Jesus with palms and then, a bit later, we hold these palms while acting the part of the crowd in crying out for Jesus’ death during the reading or chanting of the Passion. What we need to do afterward is return to the “long introductions” to see what the fuss was about and hopefully, hear the cock crow as did Peter.

I develop these ideas in my book Tools for Peace.

A City Consumed with Buying and Selling

Posted on by
1

guesthouse1“If there was just one person who could show everyone there is another way. . . . If someone stood up in the middle of the city, with everyone watching, and did something that brought them nothing in return, and happiness to others . . . it might start something that couldn’t be stopped.”

These words are spoken by a 13-year-old girl in The Midnight Charter, the first volume of the Agora Trilogy by David Whitley. These words are a powerful statement of a positive use of mimetic desire (see Human See, Human Want). Lilly says these words in a city called Agora (Greek for market), a city where everything and everybody is bought and sold and all receipts are stored in the city bureaucracy. Even emotions can be bought and sold thanks to a strange technology developed for the purpose. A sort of capitalism gone mad. This shows how deep competitive mimetic desire can be, as René Girard demonstrates. (See Violence and the Kingdom of God.)

While Lilly starts to put her idea into practice by starting an almshouse, something unprecedented in the city, her friend Mark is consumed by a mimetic process that puts him at the pinnacle of the society while too young (thirteen) to realize how delusionary it was until it was too late. (See Ignominious Glory, Glorious Ignominy.)

The fortunes of these two protagonists and the powerful social forces that surround them are explored with ever-increasing depth in the second and third books of the trilogy. In Children of the Lost, Lilly and Mark, suddenly thrust out of Agora, enter a wilderness where the subconscious (the “Nightmare”) engulfs the villagers who live there. Well, the emotions bought and sold in Agora have to go somewhere. The nightmare shows itself most strongly in an act of collective violence, the end result of the denial of mimetic desire. In the midst of all this, Mark begins to really learn how to be a caring human being.

The final volume Canticle of Whispers brings the trilogy to a stunning conclusion. Here, we meet another society, this one living underground, that turns out to be a collective puppet for the fragmented desires of those who live above them until they are freed by Lilly and Mark. The mimetic process started by Lilly in Agora continues in her absence because other people have imitated her desire to help others. One of the greatest strengths of the series is that many characters who seem fairly insignificant emerge in unexpected ways to have great significance, sometimes for ill, sometimes for good.

This trilogy shows us that here are Y/A novels out there that can instruct young readers and older seasoned readers as well, into the depths of mimetic desire. I strongly urge anyone working with youth to take notice.

A Scandalous Woman as Extravagant as Jesus

Posted on by
Reply

churchDistanceBlossoms - CopyThe synoptic Gospels interlace Jesus’ disciples’ infighting as to who is the greatest with Jesus’ predictions that he will be handed over to the authorities to be crucified. The disciples consistently fail to understand or accept what Jesus is saying to them. Interestingly, the disciples suddenly come to an agreement when a woman enters the house of Simon the Leper in Bethany and pours an enormous amount of costly oil over Jesus. It is telling that it is a corporate condemnation of a marginal person that has united the disciples. To their chagrin, Jesus defends the woman, saying that she has prepared him for burial, precisely the destiny Jesus is facing and the disciples are denying. It is quite possible, however, that for Judas Iscariot, Jesus’ defense of the woman was the last straw. In both Gospels, Judas’ fateful interview with the chief priests follows immediately.

Curiously, Luke has a version of the same story that is detached from the passion narrative. That this woman had a bad name in the town suggests uneasiness with this woman and her extravagant actions. That she shamelessly washes Jesus’ feet with her tears doesn’t help matters. If the disciples were there, one wonders if they agreed with Simon in thinking that Jesus should have known that the woman was a sinner and therefore unworthy of offering such an extravagant gift.

John has a similar, but different account of the anointing of Jesus. The woman is Mary of Bethany and, far from being an intruder into somebody else’s house, she is herself the hostess along with her sister Martha. As in the Lucan story, Mary wipes Jesus’ feet with her hair. This time the gesture is all the more suggestive of things to come as John places the incident just before the Last Supper when Jesus of washes the feet of his disciples. This time, Judas alone objects to the waste. John goes on to say that Judas was upset, not because he cared for the poor, but because he wanted more money in the common treasury for him to steal. The question is: if the disciples unanimously censured the woman as they unanimously opposed Jesus’ predictions of his death, was Judas really the only betrayer? Chances are, Judas was saying out loud what the other disciples were thinking.

The parable of the Prodigal Father tells of the extravagant love of our heavenly father. Isaiah 43 proclaims God’s extravagant gesture of bringing God’s people through a desert overflowing with water. In Philippians, Paul insists that the cross and resurrection are so extravagant that all of his human qualifications are reduced to rubbish. Mary of Bethany shows the same extravagance, an extravagance that makes us uncomfortable to this day. This is the extravagance that embraces the cross and Jesus’ resurrected life and leads to truly caring about the poor and raising them up into a life of generosity for everyone.

The Prodigal Father and His Sons

Posted on by
3

???????????????????????????????????????????

The famous parable traditionally known as the Parable of the Prodigal Son (Lk. 15:11–32) is the quintessential illustration of pre-emptory forgiveness, one that closes the case on Jesus’ teaching on vengeance and forgiveness. This parable is better called “The Parable of the Prodigal Father and His Two Sons.” The opening of the parable draws a triangle: “There was a man who had two sons.” We expect tension out of a triangle, and we get it right off the bat when the younger son asks for his share of the property. The father accedes to his son’s request (demand?) and the younger son goes off with the proceeds. The elder son stays at home with his share of the property, at least geographically. What kind of father would be so foolish? Why would a young man leave a father who would give him whatever he wanted? Was it to get away from his brother? The stories about paired brothers in Genesis predispose us to suspect that the two brothers are mirror images of each other.

The parable goes on to say that the younger son “squandered his property.” Literally, he “scattered his substance.” That is, the younger son, while trying to forge an individual selfhood separate from his father and brother, completely loses himself in dissolute living. Geographical distance has not freed him from continuing to be a mirror image of his older brother. Then comes a famine and the social crisis that comes with it. Chances are that the scarcity was magnified by created scarcity. In such a social crisis, there must be a victim. A foreigner is particularly vulnerable to being a victim in such a crisis. The younger son fit the bill perfectly. He was deserted by everybody, in spite of all the money he spent on his women and carousing friends. Nobody was willing to take him in. He ended up as a servant who feeds the pigs (an unclean animal for Jews) and “no one gave him anything.” In this desperate situation, the younger son recalled how well-fed his father’s servants were, and he “came to himself.” Perhaps it was embarrassment that made him want to return as a servant, but perhaps he also didn’t want to re-enter the triangle with his father and brother.

The father’s ecstatic reception of the lost son and subsequent celebration blows apart the family triangle, leaving no room for mimetic strife. In contrast to the mimetic process that organizes society around a dispensable victim, the indispensable victim who is no longer lost has been found. The elder son, however, wanted to preserve the old triangle. His sour attitude suggests that he still needs to have his younger brother live irresponsibly. The elder brother’s universe would collapse if his younger brother began to play a responsible role in family affairs. No wonder the younger son ran away from a brother like that!

When the older brother keeps his distance, the father runs out to him with the same solicitude he showed the returning younger son. The elder son’s disingenuous accusation of not being allowed to celebrate is shown up for what it is. Apparently, the elder son never thought to celebrate with his friends until his father threw a party for that son of his. What the elder son has done is put himself into competition with his younger brother, when there is no need for competition. This sort of mimetic rivalry creates a stumbling block in the way of forgiveness. It remains to be seen whether or not the younger brother will forgive the elder for his unforgiving attitude.

We are likely to judge the younger brother for his callous irresponsibility and the elder brother for his amazing insensitivity. But if we do that, we find ourselves ensnared in the mimetic struggle between the two brothers, comparing them and taking sides until our own capacity for love is obscured and our capacity for celebration fizzles. The Prodigal Father does neither. He does not upbraid the younger son for leaving; neither does he upbraid his elder son for being such an insufferable prig. He only invites both of them to the party. Most of us have a hard time even wanting to be a father like that!

The parable ends with this challenge of forgiveness and unconditional love: Do we rise to the challenge of the Prodigal Father and renounce our irresponsibility and self-righteousness?

A Miserable Gospel

Posted on by
3

sideAltarsIcons1Victor Hugo had turned away from the Catholic Church because of its indifference to the poor when he wrote Les Miserables and the book was condemned by the Church when it was published. Yet the novel is deeply imbued with the Gospel and some Church figures are strong witnesses to it. Go figure. Better yet, go see the movie of the musical if you haven’t already.

Jean Valjean, rejected by all as an ex-con, is invited to eat and sleep in the bishop’s house, but still embittered and desperate, he runs off with a silver plate. When brought back by the police, the bishop says the plate was a gift and orders the police to release him. The bishop presents this act of mercy to JV as a challenge to make the most of his second chance at life. The self-sacrifices required of JV to live up to this challenge make it clear that the forgiven life is far from easy or soft. Meanwhile, the police officer Javert, deeply scandalized by the bishop’s forgiveness, makes a career of tracking down the criminal in the name of justice.

A successful factor owner under an assumed name, JV inadvertently fails to protect his employee Fantine from being driven out by her co-workers and corrupt foreman when it is discovered she is an unwed mother. To atone for this, he takes responsibility for Fantine’s daughter while Fantine is dying. This entails bargaining with the venal Thénardiers to take the girl Cosette away to a better life. With JV’s past exposed by Javert, JV and Cosette escape to a convent that gives them sanctuary.

During the 1832 uprising in Parish, two mimetic triangles form around the grownup Cosette when she and Marius, a rich young man turned student revolutionary, fall in love. JV fears losing his daughter and at first hopes the street violence will lead to the young man’s death. But JV quickly realized he must put his daughter’s interests first and he then sees in Marius the son he might have had.  More complex is the triangle of the two lovers with Eponine, oldest daughter of the Thenardiers. Having fallen in love with Marius only to be politely turned away, Eponine protects Cosette and JV from a police raid led by Javert and her father but encourages Marius to join his fellow students in the revolt with the hope she and Marius will be killed. When fatally wounded by a bullet intended for Marius, she repents and tells Marius where he can find Cosette. Renouncing mimetic rivalry is shown to be possible, but costly.

Meanwhile, Javert infiltrates the rebels, is exposed by the street urchin Gavroche (a castoff son of the Thenardiers), sentenced to be killed, then handed over to JV who has joined the rebels to save Marius if he can. With the chance to exact his revenge, JV frees Javert, doing for the self-righteous officer what the bishop had done for him so many years ago. When, after the tragic street battle, JV drags the wounded Marius through the sewers of Paris (a Christ-like descent into hell if there ever was one) Javert ambushes him but can’t bring himself to arrest the convict. Totally disoriented by the prodigal forgiveness offered him, the legalist representative of the law throws himself into the Seine, a tragic demonstration that forgiving love is a tough challenge.

The musical strengthens the Gospel theme considerably in comparison with the book. The streamlining of the convoluted plot of the book puts the law/grace and revenge/mercy dichotomies front and center. The vulnerability of women and children to personal (the Thenardiers) and institutionalized (Javert) violence is stressed through Fantine, Cosette, and Gauvrache. Javert sings a song that betrays his warped mirror-imaging of the Gospel: declaring JV to be “fallen from God/fallen from grace” he reveals himself as a man so fallen. Musically, the singing of JV, Marius, and Cosette (especially as a child) is very soft while Javert is loud and assertive and the Thénardiers boisterous. (Strength in weakness.)  In the finale, JV dies and is brought by Fantine and the good bishop to a heavenly barricade turned into a heavenly chorus of revolutionaries who sing, in a song filled with biblical allusions: “Somewhere beyond the barricade/is there a world you long to see?”

A miserable, offensive Gospel if there ever was one.