For quite a few years, I wrote a Christmas story as the Season approached and sent copies to family and friends. Once the number of stories had grown, I collected the ones I thought were particularly effective and published them in a volume called Born in the Darkest Time of Year: Stories for the Season of the Christ Child.” The Christmas season is offered as a time of hope in the midst of darkness. The hope is fragile, or at least seems so to human eyes. After all, God the Word had been born as a baby needing care from others to survive. Today, Christmas seems to be threatened at times even as Herod threatened the Christ Child. So it is that many of my stories deal with threats to Christmas through human folly, weakness, commercialism, or just plain malice. I know it is early for Christmas but some people will be thinking ahead already to their Christmas shopping. I invite you to read the opening story that I have just posted: Silent Night: How John Beaconsfield Saved Christmas.” John is a devoted chorister traumatized when all Christmas music mysteriously disappears just a few days before Christmas day.
Tag Archives: fantasy literature
Living with the Dead” Thoughts for Halloween
For many in North America, Halloween is a day for children to dress up, have fun, and get lots of candy from indulgent neighbors. Skeleton suits and witch’s makeup are all in fun. Not as fun is the background to Halloween that goes back to rites, such as the Celtic Samhain festival, designed to allay anxiety over blurring the distinction between the dead and the living and make sure the dead stay dead. This anxiety causes some people to try to suppress modern Halloween, although the people who sentenced witches to burning should be more horrifying than girls running about in black dresses with candy bags.
Blurring distinctions between the living and the dead raise horrifying issues. To begin with, it calls into question what life and death really are. Zombies and vampires are very popular today as creatures haunting us with this blurred distinction. The idea of being “undead” is a haunting but unattractive possibility.
Rites of and against the dead, encountered by anthropologists worldwide, express fear that the dead envy the living and, if they get a chance to break into the land of the living, they will destroy the life we cherish. That is, the dead are set up as rivals for life that has been made scarce. These anxieties project rivalry experienced with other living persons on those same persons when they are (hopefully) departed this life. Cf. “Human See, Human Want.”
The execution of Jesus followed by his Resurrection, where Jesus appeared not as a vengeful ghost but the forgiving victim, opened up a whole different paradigm of the dead. Christian martyrs who gave up their precious lives to witness to Christ were believed by the early church to be, not vengeful ghosts, but saints in Heaven actively seeking our good. Dante’s Divine Comedy is a particularly powerful vision of those living on earth and those living in Heaven supporting each other in prayer without resentment or rivalry. Cf. “Two Ways of Gathering.”
Many people like to have their spines titillated at Halloween. My stories “Ghost of Swiss Castle” and “The Dark Window” in Beyond to Here might chill the spine a little bit, but they also invite the reader to think of lending a ghost a helping hand and receiving some healing in this life as well.
The Failed Quarrel
The stories of the desert monastics of the fourth and fifth centuries in Egypt are the bedrock of monastic lore that continue to inspire all who attempt to live by monastic spirituality.
In one charming story, a monastic who has shared his cave with another, notes that they have never had a quarrel and proposes that they try to have one, like all other people. The other monastic says he doesn’t know how to start a quarrel. The first monastic puts a block of wood on the ground between them and says” “This block is mine. Now you say the same thing.” The second monastic said, “This block is mine.” “No, this block is mine,” insists the first monastic. “Okay, it’s yours,” says the other. And so they failed to have a quarrel.
Would these monastics have quarreled if the first had put a gem between them instead of a block of wood? The story about the children and the balloons in “Human See, Human Want,” suggests that question is whether any article at all is given worth by the desire of the other. A block of wood can become as desirable as a gem if somebody else desires it and another person gets caught up in that desire.
If these two monastics were not quarreling, what were they doing? The desert literature tells us they would have spent large amounts of time in prayer, much of that in psalmody, and then the rest weaving baskets they would sell to give the money to the poor. That is, they were not focused on each other but were opening themselves to God’s Desire and to the needs of other people. Prayer and helping other people does not guarantee there will be no quarrelling, but the two combined surely help quite a lot.
My story “Haunted for a Time” in From Beyond to Here offers a counter-example to these two desert monastics. At the beginning of the story, Murray is so absorbed in his possessiveness of his comic books at the expense of others that he cannot see anything beyond that. Some unsettling apparitions from a ghostly figure challenge him to reconsider his ways.
My book Tools for Peace examines Benedict’s teachings on stewardship of material goods in the monastery that build on the insights of this simple story of the two desert monastics who failed to be movers and shakers in the world, but also failed to have a quarrel.
God Knows All About Unicorns
Early in my monastic life, when I wanted to know everything, I read the Summa Theologiae of St. Thomas Aquinas (1225-1274), a thinker who knew everything, or seemed to. Many of Thomas’ insights and speculations continue to nourish me. The insight that I dwell upon and dwell in more than any other comes in Question 14, article 9.
Thomas has been enumerating what God knows, which, not surprisingly turns out to be everything. In article 9, however, Thomas poses the question of whether God knows everything that has never existed, does not presently exist, and never will exist. One might think that this, at least would stump God, but Thomas blithely insists that God knows these things as well. Huh?
Basically, Thomas says that God knows everything that could exist. That includes everything which God does bring into being as well as everything which God does not bring into being. This is an important point. We take our own existence and the existence of the things in the world for granted. God takes nothing for granted. God chooses some things to exist out of an infinitude of possibilities.
So what about unicorns and all else that allegedly do not exist? What does God have against them that God did not bring them into being? The answer is God has nothing against anything. The deeper answer is that God leaves many things to our imaginations. We can’t imagine horses; they are already here. But we can imagine unicorns and dragons and creatures from other planets that may or may not exist. What I find so awesome about Thomas’ insight is that God invites us to enter into God’s imagination to glimpse a few of the infinite number of beings that will never exist. God encourages us to welcome into this life many creatures we otherwise would never see and get to know. Not only do we get to pet the cats who live at our monastery, but we get to ride dragons through the air!
It is because God has invited me into small visions of the divine imagination that I can introduce you to Korniel, Pandara, Merendael, and many others. If you wish to meet them for yourself, you can read Creatures We Dream of Knowing and From Beyond to Here. Knowing them has enriched my life. I hope it will enrich yours as well.
An Imaginary Garden
Some of you might have seen in the title of my blog a parody of the famous line in Marianne Moore’s famous poem Poetry: “Imaginary gardens with real toads in them.” As an aspiring writer with a lot of imagination, I was strangely stirred by that line when I studied it in high school and it has stuck with me ever since.
Obviously, this line suggests a turning and twisting and re-turning and re-twisting relationship between imagination and reality. The two are not the same but they are intertwined one with another. These words also suggest that any attempt to explain the relationship will fail.
My title ties together the fantastical imagination with the yearning for peace, a yearning that seems more fantastical than flocks of dragons and herds of unicorns. But it is precisely because peace is so elusive that he must open our imaginations toward it. If we do not imagine peace, we will never get it. At the same time, if we do not pay close attentions to current human realities, we will never find peace.
In his Rule, Benedict was a down-to-earth person, grounded in reality. He never thought his community was made up of certified saints with immaculate records. He knew that community life requires living with the weaknesses of others each member prods the other to do better. When it is time to rise early in the morning for prayer, the monks need to “quietly encourage each other, for the sleepy like to make excuses.” At the same time, Benedict hopes that his monks will compete “in obedience to one another,” quite a vision of peace.
Benedict directed his heart toward heaven, but he knew that imagining peace begins with tending a real garden with real plants in it and sharing the produce with real human beings.
Fantasy Literature & Theology
I have just added an article called Baptizing the Imagination that was originally published in the Abbey Letter of St. Gregory’s Abbey. Here, you can read about my reflections on the theological dimensions of fantasy literature with comments on several important writers such as C.S. Lewis and J.K. Rowling. Helpful background to Creatures We Dream of Knowing & From Beyond to Here.
Chills and Salvation
Ghost stories fascinated me when I was a child. Slipping into an eerie unknown territory gave me a slightly pleasurable chill in a dose I could take. Although I read ghost stories for pleasure, they stretched my world and, more importantly, confronted me with issues of good and evil against a backdrop deeper than the material world. M.R. James’ “Lost Hearts” is a particularly powerful example.
As I grew older, I became aware of the psychological insight the best ghost stories called offer, adding depth to the chills they offered. Henry James (no relation to M.R. James) was the great master of this sort of ghost story. The Turn of the Screw is a troubling, masterpiece that inspired a great, if equally troubling, opera by Benjamin Britten. James’ story has inspired an unresolvable debate as to whether the ghosts are real or are projections of the fevered imagination of the governess. Britten’s opera presents them as all-too-real and malevolent. What both the story and the opera show with devastating clarity is that the governess’ rivalry with Quint, whether a real ghost or a figment of her imagination, destroys the boy Miles, as conflicts of this kind always distort one’s sense of reality and destroy vulnerable people caught in the crossfire.
Turn of the Screw does not invoke any transcendent dimension beyond the tragedy in either the story or the opera. Some of the ghost stories by Mary Downing Hahn, such as All my Lovely Bad Ones, move in a more redemptive direction. Stories such as those by James and Hahn show us how victims and victimizers can be stuck, seemingly for all eternity, in a destructive relationship unless they are delivered. We experience this stuckness that feels as if it will never end in real life often enough.
Approaching the ghost story genre with my religious convictions, I am concerned with the possibilities God holds out to each one of us for all eternity. I am also concerned for how, just as one can do God’s work by helping a troubled person in this life, one might do God’s work by helping a troubled person who is stuck and cannot “move on” without help. An encounter with a ghost can give a fictional character and the reader chills as it does in “Ghost of Swiss Castle” and “The Dark Window” in From Beyond to Here. The Light reaching to us offer salvation can give us much deeper chills.
Welcoming the Strange Stranger
We all become at least slightly disoriented when we meet a person who is different. This disorientation is often mixed with fear and distaste, maybe even disgust. If we encounter someone really strange, such as a visitor from another planet or a ghost, our fear can easily turn into panic. Although most daily strange encounters are less drastic than that, we often find that we react with fear and disgust before thinking rationally when meeting even a mildly strange person. If we get to know the stranger, however, we often find that person to be a gift to us.
Fantasy stories give us the opportunity meet with the strange, the weird and the frightening and learn to overcome our fears enough to see the potential giftedness in these encounters. In “Merendael’s Gift,” the opening story in the collection From Beyond to Here, a boy named Eddie encounters a very strange creature with an elusive and frightening appearance, yet the creature communicates to Eddie a desire to give a gift that is very important. As the story unfolds, Eddie has deal with his fears, not only of the creature, whose name is Merendael, but of losing his social standing with the boys he hangs out with. Each story in Creatures We Dream of Knowing brings together one or more allegedly fantastical creature and one or more children. In “The White Tree,” for example, a mysterious white plant growing quickly where four backyards meet frightens some people but offers great musical gifts to those open to receive them.
As a Benedictine monk, I follow a monastic rule that enjoins hospitality as a major apostolate, second only to the ministry of prayer. We are constantly challenged to open our hearts to strangers, some of whom seem strange and some of whom really are difficult to deal with. Hospitality, of course, is a Christian virtue. The author of the Epistle to the Hebrews reminds us that, like Abraham, we may entertain angels unawares when we offer hospitality. I discuss Benedictine hospitality in my book Tools for Peace.
The story “Merendael’s Gift” and the others in From Beyond to Here and in Creatures We Dream of Knowing can help readers of all ages reflect on the challenge of welcoming the truly strange stranger into our lives and learn what God would have us learn from them.
A Bit About Me
A Benedictine monk in the Episcopal Church who writes fantasy fiction? How did that happen? The short answer is: God knows. As for myself, all I can say that the fantastical has always fascinated me and matters of faith have always been a consuming interest. The first two books to have my name written in them were that tales of Hans Christian Andersen and Grimm’s fairy tales. I started writing fantasy stories as a child and I haven’t stopped since. My religious journey took many twists and turns during my youth, including detours in Hinduism and Buddhism, although I consistently believed that religion dealt with the most important things in life. This journey led me back to the Episcopal Church in which I was raised and then to St. Gregory’s Abbey in Three Rivers, Michigan.
Another interest that caught me and has never let me go is music. Singing in a high quality church choir as a boy introduced me to great choral masterpieces and music has been woven with my religious interests ever since. These days, I sing plainsong in the monastic church and listen to music of all kinds in my spare time. Along with my religious convictions, music is a major strand in many of my stories.
Another swirl running through all of these major interests is a concern for peace and for alternatives to violence. In my stories and other writings, seeking peace within oneself and, more important, within social relationships, has become one of the major themes I deal with. Tools for Peace engages in a dialogue between the Rule of St. Benedict and the thought inspired by René Girard, a thinker preoccupied with the social dimensions of violence while my stories take the reader through enchanted but sometimes troubling pathways in search of visions of peace.
I suppose I could sum up my outlook in life as: Saint Benedict in Fairyland. In their various ways, St. Benedict and fairy tales combine an earnest moral and spiritual drive with a delight in God’s goodness. For me, monastic discipline and the freedom of the fantastical imagination reinforce each other. Both my religious writings and my stories witness to my conviction that, contrary to the violence humans perpetrate, God has created a friendly universe grounded in God’s love for all of us.