The Holy Spirit’s Fiery Desire

outsideSupper1What is the Holy Spirit? Wrong question.  The Holy Spirit is the third Person of the Trinity, not an ït.” Our difficulty in thinking of the Holy Spirit as a person is a symptom of our cultural problem of really seeing other persons as persons.

“Many terms and images are given for the Holy Spirit: a roaring wind, tongues of fire, breath, gift, counselor, consoler, teacher, guide, and the bond of love, to list a few. Some of the terms are personal, some not. This only adds to the confusion unless we get beneath the impersonal images to realize that breath requires a breather, a person’s temperament can be fiery, and a bond of love can’t really love unless that bond is a person who actually loves. Teaching and guiding, though done with personal agency, can be mechanical if they are only conveying information and or getting us from one place to another.

The Holy Spirit adds to our difficulty simply by being so shy. Jesus shows us the Father, the Holy Spirit shows us Jesus. Who shows us the Holy Spirit? Look behind you and the Holy Spirit is still behind you. Look deeply in yourself and the Holy Spirit is deeper yet. If we want to know the Holy Spirit, we have to be as shy, as hidden as this Person. Most of us think it important to be more assertive than that.

Perhaps the Holy Spirit is hidden in much the same way as mimetic desire is hidden. (See Human See, Human Want.) Our imitation of other peoples ‘desires occurs below our conscious awareness. The Holy Spirit does the same. Is there a connection between the two? As our teacher and guide, the Holy Spirit conveys the Desire of God.  More than that, the Holy Spirit is the Desire of God. What is this Desire of God? The image of a fiery wind burning all of God’s people without consuming us gives us a hint of God’s fundamental Desire: that we all may be one as the Father and the Son are one. (There is the Holy Spirit hiding again! The Spirit is just as much one with the Father and the Son as the other two Persons of the Trinity.)

Let us try thinking of the Holy Spirit as the Gatherer with fiery arms of Love. Mimetic desire unites us with other people whether we like it or not, or will it or not. Mimetic desire deepens our lives when we share desires in mutually enriching ways, but when mimetic desire falls into conflict, it unites us to that person in the bad sense of being stuck together.  The Holy Spirit weaves through the swirl of other peoples’ desire with God’s Desire, teaching us and guiding us with fiery love how to fill all these desires between us with tongues of fire that deepen our communion with others beyond what words can say.

Hospitality Initiative

WilliamGuestsChurch1On May 3-4 I will be attending the Hospitality Initiative hosted at Oakland University in Oakland, MI. The convener is Charles Mabee, a scholar who works with the thought of René Girard. This is a multi-faith gathering where papers from a wide variety of spiritual traditions will be represented by the presentation of papers. I will be presenting a brief paper called “Mimetic Hospitality: Guests and Community in the Rule of St. Benedict.” Some of the content overlaps with my blog post Cleaning up our Unclean Acts which introduces some of the thoughts I develop in this paper. You can read my paper here.

Cleaning Up Our Unclean Acts

eucharist1Peter was surprised when he had a vision of a sheet carrying all the animals listed in the Law as unclean accompanied by a voice telling him that God had made them clean. Peter was even more surprised when he was told to go to the house of an unclean Gentile named Cornelius and preach the Gospel to him. That is, God had made all humans clean.

We all have a hard time living without the comfort of knowing that some people, some things, are unclean. This fear that sustains us is the fear of what is Other. All we have to do is get to know “unclean” strangers and we will be happy and no longer afraid.

René Girard, however, would give us pause. Girard is often invoked when there is need to scold people for creating “out” groups to make them feel good about their “in” groups. Actually, Girard alerts us to our problems within our “in” groups. Prior to our fear of the Other is our fear of what is the same. Rivalry and the violence rivalry lead to does not originate in battles with strangers but with those closest to us. In Genesis, almost all of the strife is between brothers.

Girard suggests that this fratricidal strife tends either to the death of a brother or a reconciliation through killing somebody else. At the dawn of humanity, a tribe first struggled with rivalry within its own ranks and either imploded through its violence or came together through killing one of its members, who then was designated at Other, the monster who caused the commotion. Then the tribe held itself together on an ongoing basis by warring on other tribes who were designated as Other. In this regard we are not one wit wiser than the most “primitive” of people. A fundamental practice of statecraft today is to deal with rivalry and tensions within a nation by designating an enemy that the whole nation must fight.

Anthropologists such as Mary Douglas have demonstrated the human tendency to divide foods between those deemed clean and those considered unclean. Eating is the central activity of a community. We eat with those who are closest to us. However, as noted above, we also fight most with these same people who are closest to us. By dividing the food we eat between clean and unclean, we create a barrier between us and other people, between us as the “in” group and those in the “out” group. That is, we relieve our communal tensions by banding against those who eat “unclean” foods.

Here we come to the importance of Jesus’ admonition to his disciples, while at table, that they (we) love one another. Some scripture scholars have poured cold water on idealistic readers by saying that John was concerned only with love within the community. But Jesus’ saying that others will know we are Jesus’ disciples by our love makes it clear that this loves does extend beyond the immediate community. These reflections on “clean” and “unclean” further suggest that fostering non-rivalrous love within the community allows the community to reach out to others. This love will make everything and everybody clean and bring us all to one great table in the Heavenly Banquet.

How Are We Saved?

yellowTulips1The New Testament and two thousand years of Christian preaching has consistently proclaimed that the death and resurrection of Jesus Christ has opened the way of salvation for all humanity. Precisely how this mysterious, earthshaking event has done that   has raised more questions than answers. It is understandable that the focus would tend to be on the death of Jesus since the event is so dramatic and creates intense emotional effects in Jesus’ followers. However, understandings of the atonement of Jesus through this route have raised long-standing problems that cry out for a fresh approach. The growing realization that the killing of Jesus was just plain wrong on the part of many Christians, and not just those influenced by the thought of René Girard,  opens a way for a re-thinking of atonement theology that can support a deep spirituality grounded in God’s unconditional love for all people. As article I wrote for the Abbey Letter Saved By the Life of Jesus contributes to this re-thinking that actually reclaims the Gospel for us. It is included in the collection of articles in Come Let Us Adore. You can read it here.

Abraham out on Highway 61

sideAltarsIcons1The near-sacrifice of Isaac by his father Abraham, the Father of Faith, is the most troubling of stories. It should be. Chaim Potok’s young protagonist Asher Lev remembers the shiver he felt when he first heard the story. What is most troubling is the suspicion that Abraham was right to be willing to sacrifice his son. But was he? Jeremiah says Yahweh denounced the sacrifice of children, saying “that such a thing had never entered my mind.” (Jer. 19:5) Perhaps we are right to be troubled by any notion that Abraham was right to even let the idea enter his mind and even more troubled by any thought it ever entered into God’s mind.

Bob Dylan makes a bitter burlesque of the story in his song “Highway 61 Revisited.” The “god” who requires the sacrifice is a bully, warning Abraham that if he doesn’t comply: “Next time you see me, you’d better run.” To the question: “Where do you want to see this killing done? God said out on Highway 61”, the place for “a thousand telephones that don’t ring” and where to “put some bleachers out in the sun” to stage the start of the next world war. As with so many Dylan songs, the imagery reveals a society filled with mimetic rivalry and victimization where sacrifice and war become a spectator sport.

Soren Kierkegaard’s searing Fear and Trembling is at least as troubling as the biblical story. SK’s category of the “teleological suspension of the ethical” raises fears that the author celebrates Abraham’s willingness to do the deed. (What the fancy phrase means is: anything at all God says to do is right—end of story.) However, this troublesome category is coupled with what SK called “infinite resignation.” This is what Abraham had when he was willing to kill his son by God’s command. However, infinite resignation falls far short of faith and faith is what the biblical story and SK’s book is all about. Faith is receiving back what is given with infinite resignation “by virtue of the absurd.” Still troubled?

The most clear and piercing critique of this “infinite resignation” I know of comes in the powerful poem retelling this story by the World War I poet Wilfred Owen. Abraham builds parapets and trenches around the wood, suggesting the sacrifice of sons sent off to the war. But when the angel of the Lord admonishes Abraham to “slay the ram of pride instead of him . . . the old man would not so, but slew his son,/ and half the seed of Europe one by one.” This poet, one of many young victims of the war, and the creator of the bitter irony that poets like Bob Dylan use so well, has revealed once and for all the sacrificial horror of “infinite resignation.” That is, anyone infinitely resigned to sacrifice oneself without faith will also sacrifice others, especially one’s own children, also without faith.

The typological interpretation of the story where it stands for God the Father’s being willing to sacrifice His only begotten son is also troubling. But Jesus did not go to the cross with infinite resignation. Rather, by “virtue of the absurd,” he believed that God, being the God of Abraham, Isaac, and Jacob was God, not of the dead, but of the living.” (Mt. 22:32) St. Paul says we are saved by the faith of Christ, the faith that, on the cross, embraced not death, but the life of his heavenly father. The virtuous absurd, then, is the ecstatic embrace of God’s love so filled with life that there is no room for death for anybody.

Selling Postcards of the Cross

crucifix1“They’re selling postcards of the hanging
They’re painting the passports brown.”

White boys like me mostly didn’t know what Bob Dylan was singing about when “Desolation Row” first came out on “Highway 61 Revisited.” James Cone’s book The Cross and the Lynching Tree tells us it was about lynching. Lynching was a public spectacle where people took pictures and made postcards out of them.

Cone goes on to argue that the lynching tree was a series of grisly re-enactments of the crucifixion of Jesus. He also demonstrates on how very difficult it has been and still is for Americans to see this truth. Reinhold Niebuhr, arguably the greatest American theologian was, in spite of his social concerns, blind to this reality. Even black people have had trouble seeing this connection, though Cone shows how some black women, especially Ida B. Wells articulated it powerfully. He contrasts Niebuhr and all white liberals with Martin Luther King, Jr. who put his life on the line.

The dynamics of lynching as analyzed by Cone provide powerful confirmation of the theory of collective violence of René Girard. (See my article Violence and the Kingdom of God.) Girard argues that perpetrators instinctively fail to see what they are going. Cone shows us this truth in a powerful manner.

Dylan goes on to sing that “the circus is in town” and then catalogs Western Civilization turned topsy-turvy, suggesting that lynching does this, thanks to the “blind commissioner.”

Cone is right about whites’ blindness to this truth, but Dylan did write “The Ballad of Emmett Tell” in 1963, telling the story in stark terms, though without any Christian reference except to complains that the human race has fallen “down so god-awful low.” Then there is Mark Twain who wrote “The United States of Lyncherdom,” calling lynching for what it was and clearly discussing the human mimesis just as Girard was to do half a century later.

Cone’s book is written calmly, even gently. There is no mincing of words, yet the words are somehow full of forgiveness. The forgiveness in Cone’s words, the forgiveness proclaimed by Jesus, should be enough to undermine our trust in ourselves and our ability to see what we are doing. We must repent not only of lynching, but of our collective hatred of enemies today.

Crying out with Palm Branches in our Hands

AndrewPalmSunday1Jesus entered Jerusalem to the acclaim of crowds strewing branches before him and proclaiming him the king. A few days later, the same crowd gathered before Pilate to cry out for Jesus’ crucifixion. What happened?

Before answering this question, it is helpful to recall another crowd that went out into the desert to see John the Baptist. “What did you come out to see?” John asked them. “A reed blowing in the wind?” John suspects that people have come out in droves because people were coming out in droves. That is, it was the “in” thing to do. Fast forward a few months and we have a crowd at Herod’s palace supporting Salome’s request for John’s head on a dish. What did they come to see?

The post Ignominious Glory—Glorious Ignominy: a Doxology goes a long way in explaining this phenomenon. One can’t help but suspect that people are crying out because everybody else is crying out, no matter what the outcry is about. Advertising usually does not advertise the product but its alleged popularity. Political campaigns do the same thing. What would happen if people stopped to listen to what people were actually saying instead of crying out what they think everybody else is crying out?

It so happens that the Gospels do precisely this. The suggestion that the Gospels are Passion narratives with long introductions gives short shrift to what the Gospels are about. What these “long introductions” do is tell us at great length what Jesus actually said and what he taught. They also tell us what Jesus did before he was nailed to the cross, i.e. he healed people and cast out demons and he unilaterally forgave sins. These “long introductions” also tell us why the power brokers in Judea and Jerusalem wanted Jesus dead. By reading these “long introductions” to the Passion narrative, we are drawn away from crying out what everybody else is crying out and waving signs that only proclaim what the current fashion is believed to be. Instead, we are drawn into a very different social mimetic process, a process that builds up mutual respect between people, seeing people as they really are and as they really can become when they receive the unilateral forgiveness that Jesus gives them, a social process of not retaliating for wrongs done, a socially mimetic process of forgiving debts, of sharing what we can, of offering healing to others.

It is instructive that the Palm Sunday liturgy begins with everybody playing the part of the crowd welcoming Jesus with palms and then, a bit later, we hold these palms while acting the part of the crowd in crying out for Jesus’ death during the reading or chanting of the Passion. What we need to do afterward is return to the “long introductions” to see what the fuss was about and hopefully, hear the cock crow as did Peter.

I develop these ideas in my book Tools for Peace.

A City Consumed with Buying and Selling

guesthouse1“If there was just one person who could show everyone there is another way. . . . If someone stood up in the middle of the city, with everyone watching, and did something that brought them nothing in return, and happiness to others . . . it might start something that couldn’t be stopped.”

These words are spoken by a 13-year-old girl in The Midnight Charter, the first volume of the Agora Trilogy by David Whitley. These words are a powerful statement of a positive use of mimetic desire (see Human See, Human Want). Lilly says these words in a city called Agora (Greek for market), a city where everything and everybody is bought and sold and all receipts are stored in the city bureaucracy. Even emotions can be bought and sold thanks to a strange technology developed for the purpose. A sort of capitalism gone mad. This shows how deep competitive mimetic desire can be, as René Girard demonstrates. (See Violence and the Kingdom of God.)

While Lilly starts to put her idea into practice by starting an almshouse, something unprecedented in the city, her friend Mark is consumed by a mimetic process that puts him at the pinnacle of the society while too young (thirteen) to realize how delusionary it was until it was too late. (See Ignominious Glory, Glorious Ignominy.)

The fortunes of these two protagonists and the powerful social forces that surround them are explored with ever-increasing depth in the second and third books of the trilogy. In Children of the Lost, Lilly and Mark, suddenly thrust out of Agora, enter a wilderness where the subconscious (the “Nightmare”) engulfs the villagers who live there. Well, the emotions bought and sold in Agora have to go somewhere. The nightmare shows itself most strongly in an act of collective violence, the end result of the denial of mimetic desire. In the midst of all this, Mark begins to really learn how to be a caring human being.

The final volume Canticle of Whispers brings the trilogy to a stunning conclusion. Here, we meet another society, this one living underground, that turns out to be a collective puppet for the fragmented desires of those who live above them until they are freed by Lilly and Mark. The mimetic process started by Lilly in Agora continues in her absence because other people have imitated her desire to help others. One of the greatest strengths of the series is that many characters who seem fairly insignificant emerge in unexpected ways to have great significance, sometimes for ill, sometimes for good.

This trilogy shows us that here are Y/A novels out there that can instruct young readers and older seasoned readers as well, into the depths of mimetic desire. I strongly urge anyone working with youth to take notice.

The Prodigal Father and His Sons

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The famous parable traditionally known as the Parable of the Prodigal Son (Lk. 15:11–32) is the quintessential illustration of pre-emptory forgiveness, one that closes the case on Jesus’ teaching on vengeance and forgiveness. This parable is better called “The Parable of the Prodigal Father and His Two Sons.” The opening of the parable draws a triangle: “There was a man who had two sons.” We expect tension out of a triangle, and we get it right off the bat when the younger son asks for his share of the property. The father accedes to his son’s request (demand?) and the younger son goes off with the proceeds. The elder son stays at home with his share of the property, at least geographically. What kind of father would be so foolish? Why would a young man leave a father who would give him whatever he wanted? Was it to get away from his brother? The stories about paired brothers in Genesis predispose us to suspect that the two brothers are mirror images of each other.

The parable goes on to say that the younger son “squandered his property.” Literally, he “scattered his substance.” That is, the younger son, while trying to forge an individual selfhood separate from his father and brother, completely loses himself in dissolute living. Geographical distance has not freed him from continuing to be a mirror image of his older brother. Then comes a famine and the social crisis that comes with it. Chances are that the scarcity was magnified by created scarcity. In such a social crisis, there must be a victim. A foreigner is particularly vulnerable to being a victim in such a crisis. The younger son fit the bill perfectly. He was deserted by everybody, in spite of all the money he spent on his women and carousing friends. Nobody was willing to take him in. He ended up as a servant who feeds the pigs (an unclean animal for Jews) and “no one gave him anything.” In this desperate situation, the younger son recalled how well-fed his father’s servants were, and he “came to himself.” Perhaps it was embarrassment that made him want to return as a servant, but perhaps he also didn’t want to re-enter the triangle with his father and brother.

The father’s ecstatic reception of the lost son and subsequent celebration blows apart the family triangle, leaving no room for mimetic strife. In contrast to the mimetic process that organizes society around a dispensable victim, the indispensable victim who is no longer lost has been found. The elder son, however, wanted to preserve the old triangle. His sour attitude suggests that he still needs to have his younger brother live irresponsibly. The elder brother’s universe would collapse if his younger brother began to play a responsible role in family affairs. No wonder the younger son ran away from a brother like that!

When the older brother keeps his distance, the father runs out to him with the same solicitude he showed the returning younger son. The elder son’s disingenuous accusation of not being allowed to celebrate is shown up for what it is. Apparently, the elder son never thought to celebrate with his friends until his father threw a party for that son of his. What the elder son has done is put himself into competition with his younger brother, when there is no need for competition. This sort of mimetic rivalry creates a stumbling block in the way of forgiveness. It remains to be seen whether or not the younger brother will forgive the elder for his unforgiving attitude.

We are likely to judge the younger brother for his callous irresponsibility and the elder brother for his amazing insensitivity. But if we do that, we find ourselves ensnared in the mimetic struggle between the two brothers, comparing them and taking sides until our own capacity for love is obscured and our capacity for celebration fizzles. The Prodigal Father does neither. He does not upbraid the younger son for leaving; neither does he upbraid his elder son for being such an insufferable prig. He only invites both of them to the party. Most of us have a hard time even wanting to be a father like that!

The parable ends with this challenge of forgiveness and unconditional love: Do we rise to the challenge of the Prodigal Father and renounce our irresponsibility and self-righteousness?

Gathering to Give Life to Victims

eucharist1Since the dawn of humanity, humans have gathered most quickly and powerfully around a victim. (See Two Ways of Gathering and Violence and the Kingdom of God.) Just think of how quickly we gravitate around whoever is currently seen to be to blame for whatever is going wrong in the world today. This gathering, however, is always at the expense of at least one person or group of people. A similar and yet very different gathering around a victim occurred when the eleven disciples saw the risen Jesus in Galilee and “worshiped him.” (Mt. 28:17) The huge, even infinite difference in this gathering is that the victim is alive and is gathering people around victims, “the least of those who are members of [his] family.” (Mt. 25:40) Ever since, Christians have gathered in worship around Jesus and his fellow victims, primarily in the Divine Office and the Eucharist.

The Divine Office is structured prayer that is uses the Psalter and other biblical canticles as the primary vehicle of prayer. Much can be said of the psalms but the thing that jumps out at anyone who prays them with any frequency is the many outcries of victims. “They surrounded me like bees; they blazed like a fire of thorns; in the name of the Lord I cut them off!  I was pushed hard, so that I was falling, but the Lord helped me.” (Ps. 118: 11-13) Verses such as these raise the question of whether we gather “like bees” around another person, or if we are entering the circle of bees in solidarity with the victim. Being a victim tempts us to anger, bitterness and violence. “Cutting off” our assailants in “the name of the Lord” is the reflex reaction, but is the opposite of what Jesus himself did in the same position. These rough verses help us renew our awareness of our own violent reactions to being victimized, even (especially!) petty matters such as being slighted by another. If we focus on Jesus when we are in the place of the victim, we find that the Lord has made the rejected stone the “chief cornerstone” that is “marvelous in our eyes.”

In the Eucharist, we gather around an altar which has been transformed into a table where, instead of laying out a sacrificial victim for slaughter, we place a piece of bread and a cup of wine to share among those present. We do this in memory of Jesus’ Last Supper, suffering, death, and Resurrection. The Greek word anamnesis does not mean a mere memory but to make present. That is, we enter the place of the victim with Jesus when we gather around the table. In so gathering, we feed on Jesus’ forgiveness of us for our own victimization are our challenged by this forgiveness to give this same life to others, both in terms of physical needs and emotional and spiritual sustenance. (See Miserable Gospel)

In his Rule, St. Benedict says that prayer should be made with “utmost humility and sincere devotion.” Entering the place of the victim with Jesus leads to both humility and devotion, attitudes that allow us to follow Benedict’s admonition that we sing the psalms (and also break bread in the Eucharist) “in such a way that our minds are in harmony with our voices.” (I develop these thoughts on the Divine Office in Tools for Peace)